Moss’s affecting Heidi may lack the confidence that others possess or project. Moss is constantly questioning both her own choices and those of the circle of friends and lovers who surround her. As Heidi Holland grows from a burgeoning feminist in the 1960s to a high-achieving but emotionally fragile art historian in the 1970s and ’80s, Ms. Moss puts her own distinctive stamp on the part. Allen during the play’s long Broadway run Jamie Lee Curtis played the role in a television movie.) Known for her demure but ambitious Peggy in “Mad Men,” Ms. (I saw Mary McDonnell, one of several who succeeded Ms. Moss, a superb actor who possesses an unusual ability to project innocence and smarts at the same time, inherits a role played by many since Joan Allen originated it when the play had its premiere at Playwrights Horizons Off Broadway. They are being posed once again, with the same bright humor and reflective intelligence, in the vibrant revival that opened at the Music Box Theater on Thursday night, led by a softly radiant Elisabeth Moss in the title role. These questions resonate today as strongly, and at times as painfully, as they did when Wendy Wasserstein’s most celebrated play, “The Heidi Chronicles,” stormed Broadway in 1989, going on to win the best play Tony Award and the Pulitzer Prize the next year. Do the responsibilities that come with age inevitably erode the ideals of youth? Can women achieve the most in their careers while enjoying a fully satisfying family life? Is sadness a natural - as opposed to pathological - response to the realization that life will not bring us everything we had hoped it would?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |